Superhero Rundown

We’re talking about Nolan’s Batman, the Duality of Man, and Proportional Response.

Ending Theme by ZeroRyoko999
zeroryoko999.carrd.co

Bibliography:
“‘Batman Begins’: How Cillian Murphy Set a New Bar for Live-Action Supervillains” by Vinnie Mancuso
“How Christopher Nolan’s ‘Batman Begins’ Changed Cinema” by Calum Russell
“The Struggle to Make Batman Begins: How Christopher Nolan Reinvented the Caped Crusader” by Kshitij Rawat
“The Dark Knight Trilogy Was Not a ‘Gritty’ Reboot” By Raul Velasquez
“Explained: The Long-Lasting Appeal of Batman” by Artie Ghosh
“Nolan’s Dark Knight Trilogy Misunderstood Batman’s ‘Crusade’” by David Llamas
“Batman – An American Mr. Hyde?”by Andreas Reichstein
“Beowulf to Batman: The Epic Hero and Pop Culture” by Roger B. Rollin
“Cinematic Faith” by Scott Foundas and Christopher Nolan
“How Can Satan Cast Out Satan? Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight” by Nicholas Bott
“The Cinematic City: Between Modernist Utopia and Postmodernist Dystopia” by Nezar Alsayyad
“The Outlaw-Knight: Law’s Violence in The Faerie Queene, The Man Who Shot Liberty Valance, and The Dark Knight Rises” by Cynthia Nazarian
“What Do You Believe in? Film Scholarship and the Cultural Politics of the Dark Knight Trilogy” by Martin Fradley